The Nature of All Things examines the interconnectedness of humanity and nature, questioning the conventional view that separates the two. 
Julianne Rose often use mannequins and dolls as metaphors in her work, the almost-human appearance allows viewers to identify with the subject while maintaining emotional distance. The Nature of All Things explores identity and the relationship between form and environment, highlighting the parallels between natural and human-made forms and emphasizing that humans are not apart from nature but an intrinsic part of it. Exploring the singular question of form, the artist blurs the boundaries between humans and nature, challenging the notion of their separation.
This project delves into the interconnectedness between humanity and our natural world, probing the intricate shapes and structures that define both. Reminding us that all elements, including humans, are inherently part of nature. The Nature of All Things emphasizes the profound impact of identity on our perception and interaction with the environment. Through these images, Julianne Rose provokes a poetical and critical reflection on how we perceive and interact with our environment, particularly in the face of ongoing ecological challenges.